My work is centered around relationships between self and environment, body and landscape, image and process. Through printmaking, I explore how meaning is constructed, dissolved, and reassigned, and how identity, like form, is provisional and porous.

Many of my works begin with systems of knowing: scientific diagrams, symbolic rituals, digital landscapes, and habitual behaviors. I am interested in how these systems attempt to organize complexity, whether through botanical classification, the repetition of online imagery, or cultural symbols, while inevitably flattening or fragmenting what they describe.

Clarity is often followed by degradation; images blur, language breaks apart, forms reduce or dissolve. What remains is suggestion rather than certainty.

Process is key in this exploration. Techniques such as lithography and relief introduce chance, resistance, and material unpredictability that mirror the natural systems I reference. Ink bleeds, textures misregister, and marks accumulate, emphasizing process over control. 

Recurring motifs such as flowers, blurred bodies, and landscapes, serve as symbols for larger questions of connection and impermanence.

Whether addressing compulsive digital consumption or ecological cycles, I am drawn to the juxtaposition between awareness and contradiction, humor and soberness. 

My background in landscape architecture informs this perspective. While landscape architecture addresses these dynamics through material systems and ecological design, my printmaking approaches them through intuition, metaphor, and abstraction.

Self is not separate from the environment but embedded within it- temporarily formed, continuously reshaped, and eventually to become something else in a cyclical system. Understanding emerges not through resolution, but through attentiveness to process, overlap, and connection.